Monday, June 13, 2016

Spectrum of films for you (and for our younger selves)

Geoff Crimmons, AP
LGBTQ compassion is powerful. Before the horrific headlines that jolted our bones this weekend and renewed our need for queer connection and support, my personal community had been engaged in an act of creative empathy.

The child of a friend is suffering under the small mindedness of their town. I asked friends who are makers, programmers, artists, and general film enthusiasts what films they saw as young queers (or wish they had seen) that gave them a sense of support. Beyond that - what did they make? What did they program? What might they recommend as a gift to this person and their younger selves.

Here's some selections for you young queer folks from some older but young-at-heart strangers who want you to know that you are loved.

xo, G6


Backseat Detour by Allie Sultan

BeauteouS from g6pictures

from Ewan Duarte

BAR TALK by Cheryl Furjanic

Spiral Transition from Ewan Duarte

Scorpio Rising by Kenneth Anger
Fireworks by Kenneth Anger


Ma Vie En Rose by Alain Berliner

Itty Bitty Titty Committee by Jamie Babbitt

BROTHER TO BROTHER by Rodney Evans (on Hulu now!)

TOMBOY by Celine Sciamma

Je Tu Il Elle by Chantal Akerman (on Hulu)

D.E.B.S. by Angela Robinson
But I'm a Cheerleader
by Jamie Babbit

Fire by Deepa Mehta

Henry Gamble's Birthday Party by Stephen Cone

Boy Meets Girl by Eric Schaefer

Edge of 17 by David Morteen

Show Me Love (aka Fucking Amal) by Alexandra Dahlstrom

Pariah by Dee Rees

Mosquito Y Mari by Aurora Guerro

Beautiful Thing by Hettie McDonald

Saving Face by Alice Wu "Saving Face taught me that falling in love could be as awkward as it needed to be."

Imagine Me and You by Ol Parker "Imagine Me and You just made me so happy. They were also the only films I found at that time where the queer women didn't die and that made me ecstatic."

Tongues Untied by Marlon Riggs (a crowd favorite - "Be true to yourself")

Out in the Silence by Joe Wilson and Dean Hamer (free on SNAG Films)

Summer of Sangaile by Alante Kavaite

Celluloid Closet by Rob Epstein and Jeffrey Friedman

Girltrash All Night Long

Go Fish by Rose Troche

It Wasn't Love by Sadie Benning

Margarita With a Straw by 
Shonali Bose, Nilesh Maniyar

Thea and Eddie: A Very Long Engagement by Susan Muska and Greta Olafsdottir

Watermelon Woman by Cheryl Dunye

The Queen of Ireland by Conor Horgan

By Hook or By Crook by Harry Dodge and Silas Howard

By Hook or By Crook (2001) By Harry Dodge and Silas Howard from harry dodge on Vimeo.

by Andrew Haigh

The Incredibly True Adventure of Two Girls in Love by 

Heartbeats by Xavier Dolan

Parting Glances by Bill Sherwood

Looking for Langston by Isaac Julien


Lip Service

Transparent Season 2 by Jill Soloway

F and 7th (online)
F to 7th - Episode 1 - Off-Leash Hours 

This is a working list. It will be updated and continue to grow!

Tuesday, December 29, 2015

2015 Moments

My eyes and ears were full this year with beautiful / devastating / touching / uproarious sights and sounds. It was a challenging year, that started with sorrow in the midst of change and loss, and then shifted toward breath, and calm, and quiet pleasures available through the gift of time. So, while I didn't see and hear it all, here's what moved me in 2015. -xo G6


Morning Side / Evening Side Four Tet

How I wish each day could be musically curated this way.

Ratchet Shamir

Hi hi, Howdy. Howdy, hi, hi. Shamir's U Street show was so sweet and cozy. He's cute, bouncy and too young to drink at his own US shows. (Which means, I was probably one of the oldest hipsters there.)

Because the Night Patti Smith at Lisner Auditorium 
Her DC reading and discussion of M Train concluded with an a cappella version of this epic song that left me on my feet, belting along with her.

Digital Witness - St Vincent at Boston Calling
St. Vincent shreds at Boston Calling, img g6

Why have I not been introduced to St. Vincent before??!! From the front of the stage, this show left my jaw on the floor and her self-titled album on repeat.

Hotline Bling Memes
Thank you interwebs.

The music video, a Tarantino send-up, was everything. But the energy from this group of kids got this track stuck in my head.

Sleater Kinney slays 930 club
Sleater Kinney 930 img g6

Clit blown out. Good thing we can watch it forever because NPR taped the show.

The Heart Wants What It Wants This American Life
Hold onto your urethra when you listen to the protest story around 40 minutes into this podcast. Got me rolling through a NOVA/DC two hour commute home.

Dirty Work Snap Judgement
We all hate snot-nosed Gerald now.


Ring of Keys Fun Home
Lucky to see the play in previews. My BF grabbed my hand as the song got started. As if to say "Oh god, I didn't prepare her for this one. Hold on." How many times did I watch this video following the show?

Bree Newsome as Wonder Woman 
img by Adam Anderson

Needed her bravery and spirit in 2015. She did not ask for nor need your permission.

Glass Kisses by Adriana Marmorek NH Gallery Cartagena
Instructions from Adriana Marmorek img g6
Kisses by Adriana Marmorek img g6

Give her a story of your kiss and she will blow it into a 3D glass representation. Adriana's solo show was sensual, seductive, inviting and joyful. How lucky to have met this artist.

On Kawara Silence at the NYC Guggenheim
Recording life lived before social media. Each step, person met, place visited. Poetry in data.

Black Lake by Bjork at MOMA
Who didn't make a break-up anthem this year? (Thank you musical universe. It was appreciated.) Yet only Bjork would project it through 49 speakers. Another hand-holding moment, holding me up this time. Black Lake reverberated through my joints and heart.

Bowling Party scene by Jill Soloway in Transparent Season 2

Set to an Eileen Myles poem, slid off the damn couch.

Room by Lenny Abrahamson and Emma Donoghue
Stuck in Brie Larson's hope, loss and anger.

(T)ERROR by Lyric R. Cabral and David Felix Sutcliffe
A doc unlike any I've seen before, in terms of its construction of frame (thanks to Cabral's trained eye) and skillful structure. Yet it feels loose enough to seem as if it unfolds before you. Their campaign this year (supported!) was a rallying cry to the doc community around journalistic freedom.

Master of None by Aziz Ansari
My love and gratitude for Azizzzzzzzz overflowed in early November when I binged this from 11pm to 10am (with a sleeping break around 3am).  His spotify mix is on repeat too ("Peaches and Cream" re-wiiiiiind) He's made a kind and aware... and kind version of Girls.

Embrace of the Serpent by Ciro Guerra at Virginia Film Festival

A resounding response to decades of devastating colonization fronted by anthropology.

Out in the Night on POV and LOGO

Nearly four years of work came to an end the night I realized millions of people were watching and hearing the story of the NJ4. So fucking proud.

Eyes on Fire
img g6
img g6

These Images from Barlovento, Colombia still seem unbelievable. Did I see this sunset? This jungle? Thanks to my dear friend for taking me on the adventure.

...and to the family and friends who helped me through 2015. Seeing your faces in person across the country, and hearing your voices on the phone, ranks up there on this list.

Saturday, November 28, 2015

Edible Docs

This thanksgiving, I ate my fill. Having hosted my family for the first time, I must say I relished a bit too much of the fruits of my labor. After several days of digesting oh-so-many calories, this has surprisingly become a time of reflection. This blog used to be one of those spaces. So in honor of taking time to both digest and reflect on eating, I'm recommending these food related documentaries. A menu of tasty morsels:

Amuse-Bouche: Fake Fruit Factory

Fake Fruit Factory by Chick Strand.

Not about real food per se, but delicious viewing nonetheless. Chick Strand's 1986 ethnography Fake Fruit Factory is built through16mm close ups that empower the "chatter" amongst women working at a Mexican factory. The sensual and sexual content inspiring their laughter contrasts with the absence of juiciness in the fake fruit they are paid to construct. If you do not know Strand's work - get to watching an experimental film pioneer.

Appetizer: I Like Killing Flies

With 900 items on the menu, Matt Mahurin somehow manages to capture them all in his 2004 documentary I Like Killing Flies. Endlessly entertaining doc in which a neighborhood cook serves up truth about gentrification, class, and taste in short order behind the counter of his West Village greasy spoon.

Main Course: Soul Food Junkies

"Soul Food Junkies" 2012 Trailer from Byron Hurt.

Byron Hurt's documentaries reach audiences through his affable, informed intimacy. Though heavily researched, his warm tone gives a dose of history and social theory like fiber surreptitiously blended into your sweet potato pie. Here, as with Beyond Beats and Rhymes, Hurt welcomes us into his life and perspective with focus on his father who sadly passed at age 63 of pancreatic cancer. This inspired Hurt to take this journey into the potential causes of his father's passing: his physical health. And connected to his weight, an external marker of his father's love of soul food. Hurt wonders why and how the soul food addiction swelled amongst African American families and, as he reveals, how it became a passion and even an unhealthy addiction for many Americans. He considers the impact of slavery on this culinary tradition and moves to a more recent history of self-sufficient food production and healthy eating as part of the Black Power movement. Hurt ends with a picture of "food deserts" - places, both urban and rural, where low income people of color cannot find edible produce and therefore, are challenged to make healthy eating choices. Here the film becomes a work of social justice. Thankful this doc got wide release on Independent Lens and reached a mass public television audience. (It's now available for viewing on Netflix!)

Dessert (which may as well have several courses of its own): Mind of a Chef

Another Netflix-available delicacy is the PBS project Mind of a Chef, Executive Produced by globally ubiquitous eater Anthony Bourdain. The first season features David Chang (of Momofuku fame). This man is solely responsible for at least five lingering pounds, as Milk Bar sat on the corner of my old street in Carroll Gardens, Brooklyn. The foodie in me seriously geeked out over 16 (!) episodes with Chang in Season 1 as he traveled across the globe to the chefs and dishes that inspired him. But the science nerd in me lost my damned mind when the show invoked Harold McGee to explain the chemical processes impacting fermentation and leavening. Which led me to the cooking bible On Food and Cooking this summer. Season 2 added a woman to the mix (women are pitifully few, far between, and generally making sweets in this series) with superstar April Bloomfield. I've luckily tasted her food in its various orgasmic forms - from sea urchin with pomegranate at John Dorey Oyster Bar to her classic burger at Spotted Pig. But seeing how she came to her craft in such a kind and humble manner, fomented a true crush. Season 3 looks a lot like Chef's Table. There's significant repetition that suggests these shows were produced together in some fashion. So the absence of a sense of discovery made the 3rd season slightly less appealing. I'm hoping for better in Season 4 which kicks off with Gabrielle Hamilton of Prune fame.

Thursday, November 1, 2012

Come Hell or High Water

Last week, as the storm approached, I posted on my Top 10 Election Films to watch. As someone who lost internet herself, that may not have been possible for folks inside the Sandy swatch.

But as power and internet begin to come back on-line for some, and if you find yourself taking a break from clean up activities and volunteer efforts, one of the top 10 is now available for your viewing pleasure. Check out Divide!

Saturday, October 27, 2012

Voting in a Hurricane

The east coast is preparing for two simultaneous storms: Sandy racing up the coast and the Election of 2012. With the potential of being home-bound for a day, here’s some great docs on voting to check out.

10. Watch Shola Lynch’s 2005 film
Chisholm 72: Unbought and Unbossed, a profile of the first black woman to run for president, and prepare to get inspired to act.

9 and 8. Milk: While not a work of non-fiction the film builds directly from footage and structure of Epstein’s 1985 The Times of Harvey Milk.Gus Van Sant’s Milk positions the Harvey Milk campaign as a central story arc.
7. Divide: For the past two years, I’ve begun my advanced video course in documentary production with Michael T. Miller and Maura Ugarte’s short documentary. This is a sharp gem of a film that attends to the racial politics involved in Obama’s campaign on the ground – or in the mountains – through a white supporter and former coal miner from West Virginia.  

6. In Street Fight, Corey Booker is introduced as he’s thrown out of a housing project where he is canvassing. His opponent had canvassed there only the week prior, but here we see a housing official call police to remove Booker from the building. Booker shrugs off the obvious corruption, “It’s so ironic. Here’s a neighborhood that never gets police protection. When I show up they call in the top brass.”  Marshall Curry’s 2005 doc closely profiles the 32 year old Booker well before he became a reviled/admired Superman (see his saving people from burning building tweet) of Newark.

5. While Hot Coffee by Susan Saldoff is not explicitly a voting doc, this film makes the import of small ballot issues clear. Here we see how corporations pour money into campaigns against judges that threaten their greed. Specifically, we see the case driven by Karl Rove and friends to unseat Mississippi state court judge Oliver Diaz, a judge who objected to tort reform that harms consumers.

4. Primary, a televised documentary that was the first to expose political drama behind-the-scenes, has been the focus of study, admiration and analysis by film scholars for decades and will be for many years to come. With Primary, Drew, Leacock and Maysles set the tone for what would be called the “direct cinema” tradition through the primary election fight between JFK and Hubert Humphrey.
3. Election Day: one day, one election, eleven locations. Katy Chevigny and her team synergistically capture voting energy in different locations, documenting the energy, tension, exhaustion and high stakes involved.

2.Electoral Dysfunction has just begun its theatrical run, yet there are already ample opportunities to see this comedic expose on our highly dysfunctional electoral college system this coming week on PBS. If you can’t get your eyes on the feature, the ED team packaged three nuggets that streamed on The New York Times online this month, a DVD on PBS, and book available on iTunes. film PBS NYT

1. The War Room D.A. Pennebaker and Chris Hegedus’ masterpiece honors the tradition of direct cinema begun with Primary through the 1992 campaign for Bill Clinton. It made stars of George Stephanopolis and James Carville, while Clinton appears minimally as the on-camera drama swirls around him.

Needless to say, half of these docs have screened on PBS. So much is at stake with this election – but let this be a reminder of more we could lose. PBS, POV and ITVS showcase and make us conscious of our democratic process, warts and all. In this election, independent documentary filmmaking is on the table. Please VOTE!

Wednesday, May 18, 2011

Vids from interview with Students at Hofstra

Last fall, I visited the classroom of the extraordinary video artist Skip Blumberg, a professor at Hofstra University. He invited me to speak about Fair Use in documentary film and web video. In the past few years, I've given a handful of talks on teaching Fair Use. This video explains how that happened (not as intense as the still, I promise!):

The students who conducted the interview also asked about other topics, like suitable subjects for your first film. Considering I just posted BeauteouS: Stephanie online for free, this is quite timely:

Other interview clips pertain more to specific considerations in making documentary, like the ethics of editing documentary: and the ethics of working with participants (and check out this great paper Honest Truths by Mridu Chandra, Pat Aufderheide and Peter Jaszi for more on documentary ethics):

Here's my two cents on the importance of research in documentary:

and some closing advice for student filmmakers - treat your participants with respect!

Saturday, May 7, 2011

Putting movies online

In 2000, I screened my first film, BeauteouS: Stephanie, for the first time at the Chicago International Film Festival. There it won the award for Best Student Documentary, and then screened at a handful of other film festivals. It felt like the most auspicious of beginnings to a film career.

Though I keep churning out films, largely on my own dime, and enjoy screenings at film festivals and invited talks at colleges, I always have a nagging feeling that my films reach few people beyond the converted (i.e. queers, feminists, indie enthusiasts). How many people have seen my early short films? Perhaps 10,000 total? Why can't it be more?

Admittedly, I've had this imagined future for my films; people buy them regularly, they are re-released on DVD, picked up for collections on feminist filmmaking and the like. But the reality is, eleven years after BeauteouS: Stephanie was released, that hasn't happened. The older works might screen once a year and a kind friend might offer to buy a DVD now and then. But largely, the DVDs sit on my shelf and the films remain unwatched.

In this era of "put it online" there is an expectation that artists should post their work for free. I've struggled with this idea for years, actively pulling down copies of my films available from bit torrent sites when alerts pop up in the email inbox. I've whined, "I just wanted to break even on these films, not even make a profit!" The idea of putting it online signaled an end to that possibility.

But as the years tick by and the DVDs sit on the shelf, I realize no matter how much people want to see the film (thousands of such comments over the years) and how cheap they are ($30 for 4 movies) and how available I make them (pay pal button on a website) they remain unsold. Then I saw this brilliant film on Vimeo, up for the masses to enjoy (and 29,000 have) and I've reconsidered the whole thing [G6 editor's note - this video has since become private. Perhaps because this short became Obvious Child...] I'm the only one holding these films back and it's fine time to let that go. These films got me to a place where I could land teaching jobs, raise funds for Period and slowly, maybe in the course of 20 years through a great relationship with my distributor, break even on that film. BeauteouS has screened at over 100 film festivals around the world in 15 different countries. The fact that it didn't sell is just fine. It did something despite its imperfections. And for that, I'm proud.

And so, I let go of BeauteouS and BeauteouS: Stephanie today, posting them on Vimeo. I'm holding onto two others, because they are very personal (i.e. I'm naked and on fire in one) Maybe, once more security comes, I'll release those films. But for now, if you want to see it, for fucks sake - buy it!